Behringer 676 Tube Mic Preamp

“Behringer 676” – a tube microphone preamplifier with field transistor compressors, built on the foundation of original “Midas” transformers. A secret weapon. The classic 6176 tube microphone preamplifier was a secret ingredient that contributed to the success of some of the most famous performers and audio engineers in music history. Artists like Norah Jones and John Mayer, as well as renowned producers Tony Visconti and Jack Puig, have used the 6176. It has contributed to the creation of many hits and critically acclaimed albums, enhancing its reputation in the industry. A classic amplifier. To maintain the classic design, Behringer has created the 676 – a tube microphone preamplifier with a field transistor compressor. It features specially designed Midas transformers and high-quality 12AX7/ECC83S and 12AT7/6072 tubes, ensuring a warm and rich sound. The 676 offers a wide range of sonic possibilities that can provide any recording with the same timeless quality. A versatile tool. Equipped with a powerful field transistor compressor with an ultra-fast attack time of 20 to 800 microseconds, the 676 ensures precise transient control. An adjustable release time from 50 to 1100 milliseconds allows complete control over dynamics. A vintage-style meter displays both gain reduction and output levels, providing essential information. The combination of speed, versatility, and classic aesthetics makes the 676 an invaluable addition to any audio system. It is perfect for managing vocal dynamics and creating sounds for percussion instruments. Key features: Tube microphone preamplifier designed based on the classic 6176 design; FET compressor designed based on the legendary 6176 model; Preamplifier and compressor can operate separately or simultaneously; Premium quality 12AX7/ECC83S and 12AT7/6072 tubes, specially designed for this model; Midas input and output transformers; Rotary input selection switch for selecting microphone and Hi-Z input impedance; Input gain control ±10 dB range and output level control for sound tone; 2-band shelf equalizer with switchable filters; Switchable attenuator, polarity reversal, and 48 V phantom power; Compressor with ultra-fast attack time: from 20 to 800 microseconds; Compressor with adjustable release time: from 50 to 1100 milliseconds; Vintage-style meter showing both gain reduction and input and output levels, with transformer balancing on XLR connectors; Durable chassis designed for mounting in a 2U rack, ensuring safety during transport. Universal switch-mode power supply.